A woman discovers with astonishment that her husband has committed suicide. Sumida in great pain decides to investigate the reasons that drove her husband to make a decision as tragic. But the symptoms of incipient disease begin to limit their target.

Just after he turns sixteen, Robert finds out that he is adopted. His parents find to their horror that he was kidnaped from his real parents. They decide to tell him about this, even though they fear they might lose him. Robert runs away to find his real parents. He finds and gets close to them, without revealing his true identity. Eventually he must decided where he belongs.

A comic and romantic story about top dating consultant Kwon Tae Joon, whose comfortable life as a cold and unattached playboy with a cynical view of love is thrown into chaos when he is irresistibly drawn to his first female client Lee Jin Yi, while matching her with her target Choi Chul Woo.

Barbara Wyatt-Hollis is an English professor who begins to experience the effects of Alzheimer's. The film documents her decline and the emotional turmoil it causes for her. It also shows how the changes impact her husband, George, and their children. The film also looks at the process by which families can be educated and supported to deal with the impact of the disease, as well as what is done for those afflicted.

Barbara Wyatt-Hollis is an English professor who begins to experience the effects of Alzheimer's. The film documents her decline and the emotional turmoil it causes for her. It also shows how the changes impact her husband, George, and their children. The film also looks at the process by which families can be educated and supported to deal with the impact of the disease, as well as what is done for those afflicted.

Paul Feig's directorial debut, a USC School of Cinematic Arts short film produced in 1983

A mysterious woman enters the life of Suk-won, a lawyer who has lost his memory. As their relationship develops, secrets embedded in his memory slowly surface.

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

Julia, a struggling actress living in San Diego, hits the road after an ex-boyfriend in Spokane, WA, sends her a postcard proposing marriage.